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Friday, November 21, 2014

Traces of TUV



So Traces of TUV ended up going better than I could have ever planned. For those of you who do not know, I made a project for my Dance on Camera class in which I had three separate wall panels and had silhouettes on each panel surrounded by words related to a specific topic. Each panel represent the character of either T,U, or V. I added on to the project daily so that you would see more of a character day by day until all three panels were completely filled with text. In addition to this I made a video for each character in which they performed a sort phrase while audio of a narrative they had written played over them. The end result was this brief look into the lives of these characters in which you get to see how their personality affects their dance style and motivations, which was the entire point of this project. I do not usually dabble in making working with hidden meanings or subtle hints at deeper topics, I prefer working the surface and using narratives to get a point across. This may simply because I am not currently able to sneak in subtly, or because I am so tired of the way narratives get abused in modern story telling that I just want to make some quality art. So when I started this project I had one goal: tell the story of these characters. That was it. If I could accomplish that I could move on to my next piece and be happy about my work. As it turned out that was not enough, once I started crafting this idea I kept noticing all these little details that keep falling into place, little details that seemed intentional but were just a result of the creative process. Each video component had a particular color that wen allow with it, and the color matched the tone of each character perfectly. This happen simply because I picked filming locations that I thought would suit the characters. I wanted to show people how personality affects your own dance style, but I ended seeing how the world has its own affects on your art. During the creative process I try to just take simple ideas and get as much millage out of them as possible, but what ends up happening is that all these tiny coincidences keep affecting my creations in the best of ways. So what I have learned to do is just let my projects shape themselves in a way.


In this project in particular I was heavily inspired by the idea of cross media production. I wanted to make a project that spanned multiple mediums but still carried the same message. So my videos did not take away from my panels, and my audio did not take away from my video, and my panels did not take away from my audio. Since there were many ways to view my project I wanted to make it so that no matter who much time you spent with it you came away with the same impression or idea. The challenge of this was that some parts of the projects took more time than others. I spent a good two hours per video making sure the editing was as good as I could make it, but only about 2 hours total went into the panel display. So how could I make sure one did not outshine the other? The answer came in the harsh form that this was simply not possible, so instead what I did was do my best to directly tie all the ideas together so that there would be no disconnect between them. They were different parts of the same whole, so experiencing one was just not enough. My Traces display become such that if you wanted a holistic view of my idea you needed to see everything, which in most cases was not possible. This lead to me viewing my project as a failure. I did not want people to think I had tried to confused them my leaving out information, there was simply not enough time to get everything out there. The feedback I got, however, made me think otherwise. Since people only saw a piece of the puzzle they wanted to see more and I was asked where the rest of the project was. I tried to have it all up front, but natural curiosity and art go hand in hand and in the end I'm glad the display turned out the way it did. I wanted people to see this as a reflection of dancers and how we feel and how we incorporate that in our own work. I have learned that as an artist, I still have plenty of pieces of my own puzzle to fill in.

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